MyAppleMenu Reader

Thursday, January 18, 2024

Explaining Why A Black Hole Produces Light When Ripping Apart A Star, by John Timmer, Ars Technica

It turns out that we don't entirely know how the radiation is produced. There are several competing ideas, but we've not been able to figure out which one of them fits the data best. However, scientists have taken advantage of an updated software package to model a tidal disruption event and show that their improved model fits our observations pretty well.

Katherine Min Was Ahead Of Her Time. Four Years After Her Death, Her Second Novel Proves It, by Lauren LeBlanc, Los Angeles Times

This is the story of a fabulous book that almost never was. A lush and vicious novel with the pacing and urgency of a thriller, “The Fetishist” revolves around desire and revenge, focusing on the abduction of a classical musician with a history of predatory behavior by the punk-rocker daughter of his former paramour, who had killed herself after being spurned by him. It’s the second novel by Katherine Min and it arrives nearly four years after her death.

The Vulnerables By Sigrid Nunez Review – Animal Magic In Manhattan, by Sam Byers, The Guardian

Do the things we know truly serve us? Is the literature we love of any use when the world we inhabit capsizes? Nunez’s doubt feels necessary and valuable. How remarkable, then, that her work, and all the doubt it contains, still reassures us, and leaves us, as the novel reaches its extraordinarily hopeful and disarming last line, with the feeling that we have been helped.

'You Only Call When You're In Trouble' Is A Witty Novel To Get You Through The Winter, by Maureen Corrigan, NPR

In its own sparkling way, You Only Call When You're in Trouble, is concerned with the question of endings, of what we leave behind — whether it be our work, our worst mistakes, our most loving-if-flawed relationships.

In ‘The Storm We Made,’ A Mother’s Best Intentions Endanger Her Family, by Leigh Haber, Washington Post

Conquest and colonization have long been fertile subjects in fiction, from Joseph Conrad to present-day writers such as Zadie Smith and Imbolo Mbue. Like them, Chan uses colonialism as a lens through which to examine such themes as racism, colorism, status, poverty and violence. But “The Storm We Made” is less interested in probing the geopolitical and moral questions arising from colonialism than in humanizing the effects of oppression on a few individuals.

Need To Lift Your Spirits? ‘True North’ Does The Trick., by Ron Charles, Washington Post

With the country locked in ice, “True North,” Andrew J. Graff’s warmhearted story about a summer of white-water rafting, sounds like the vacation we all need. Graff’s second novel offers just enough drama to be exciting and just enough reassurance that everybody will get home safe.