MyAppleMenu Reader

Monday, December 31, 2018

How Hitler Nearly Destroyed The Great American Novel, by Ryan Holiday, Medium

There are horror stories about what can go wrong on release day, and then there is the story of John Fante. There has always been a rich genre of heartbreaking tales of what could have been — from albums released on September 11th to sculptures destroyed in transit — and then there is the novel Ask the Dust, a book whose tragic bad luck is spoken of in hushed tones — passed from writer to writer and repeated endlessly by critics and journalists — as the ultimate publishing nightmare.

The fact that a brilliant work would not be appreciated in its time is not, in and of itself, a remarkable event. But the nearly unbelievable (and up until now, largely unconfirmed) how of Ask the Dust, now widely considered to be a sort of West Coast Gatsby — which was released to rave reviews in 1939 but did not begin to find its audience until the early 1980s as Fante, then a double amputee, lay dying of diabetes — was not some inexplicable, unavoidable force majeure. It was not ill-health or racism or hubris. It was something much more specific. It was something with a face and a name. Really just one name, in fact.

Hitler.

At Lord & Taylor, Everything Must Go. A Daughter’s Guilt Will Remain., by James Barron, New York Times

The everything-must-go signs have been up for weeks. They promise huge markdowns, but there is not much left to pick over. Whole floors have been emptied.

The building opened when Woodrow Wilson was president. It is being sold to the office-sharing start-up WeWork.

But this is not a requiem for the store. It is the story of a mother, a daughter and the daughter’s guilt.

I Was A Cable Guy. I Saw The Worst Of America., by Lauren Hough, Huffington Post

For 10 years, I worked as a cable tech in the Virginia suburbs of Washington, D.C. Those 10 years, the apartments, the McMansions, the customers, the bugs and snakes, the telephone poles, the traffic, the cold and heat and rain, have blurred together in my mind. Even then, I wouldn’t remember a job from the day before unless there was something remarkable about it. Remarkable is subjective and changes with every day spent witnessing what people who work in offices will never see — their co-workers at home during the weekday, the American id in its underpants, wondering if it remembered to delete the browsing history.

Mostly all I remember is needing to pee.