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Wednesday, May 1, 2024

How Daniel Radcliffe Outran Harry Potter, by Chris Heath, The Atlantic

From early on, Radcliffe was aware of two competing drumbeats—two inevitable destinies, usually somehow intertwined, that were being predicted for him: “ ‘You’re going to be fucked up’ and ‘You’re not going to have a career.’ ” He decided that he would do everything he possibly could to defy both.

“Looking back,” Radcliffe says—and he is offering these words at the age of 34, backstage at the Broadway theater where he is co-starring in the Stephen Sondheim musical Merrily We Roll Along—“I’m quite impressed with 13-, 14-year-old me’s reaction to those things. To really, actually use them. To internally be going: Fuck you, I’m going to prove that wrong.”

Inside The Quest To Map The Universe With Mysterious Bursts Of Radio Energy, by Anna Kramer, MIT Technology Review

When our universe was less than half as old as it is today, a burst of energy that could cook a sun’s worth of popcorn shot out from somewhere amid a compact group of galaxies. Some 8 billion years later, radio waves from that burst reached Earth and were captured by a sophisticated low-frequency radio telescope in the Australian outback.

The signal, which arrived on June 10, 2022, and lasted for under half a millisecond, is one of a growing class of mysterious radio signals called fast radio bursts. In the last 10 years, astronomers have picked up nearly 5,000 of them. This one was particularly special: nearly double the age of anything previously observed, and three and a half times more energetic.

What Would Culture Look Like Without Nightlife?, by Rebecca Nicholson, The Guardian

To answer the question of what we’re losing, think about what nightlife has given us. It was always a haven for outsiders trying to find, establish or shape their own communities. It brings people together and remains an insistently communal experience in an increasingly individualistic and closed-off late capitalist society. Gigs and clubs require us to be together – as friends, but also with those we don’t know. Luis Manuel Garcia-Mispireta, an academic who researches dance-music scenes, calls this “stranger-intimacy”.